0,1:4,1:1,8B"  MICRO ILLUSTRATOR PLUS/4 "t" WHICH VERSION - (N)TSC OR (P)AL(A$:A$""402 A$"N"A$"P"40<A$"N"43115"MI.NTSC",8,0:2034,0:2035,253:2036,127:65493:327652FA$"P"43115"M8I.PAL",8,0:2034,0:2035,253:2036,127:65493:32765S.  LAYED AS A RAINBOW PATTERN THAT CONTINUALLY CYCLES THROUGH THE RANGE OF COLORS. F YOU USE EN 3 WHEN DRAWING ON THE CANVAS AND YOU CHANGE IT USING THE COLOR MENU, EVERYTHING ALREADY DRAWN ON THE CANVAS IN EN 3 CHANGES TO THE CURRENT COLOR AND SHADE WHEHANGES TO ALL AVAILABLE SHADES OF THE COLOR YOU CHOSE. ELECT THE EXACT SHADE YOU WANT IN THE SAME FASHION THAT YOU CHOSE THE COLOR. HERE ARE THREE LINES ON THE COLOR MENU SCREEN THAT YOU CAN CHOOSE WHICH AFFECT THE COLORS ON THE CANVAS. HE FIRST N YOU SELECT THE 'DJUST EN 3 N ICTURE' OPTION WITH THE JOYSTICK. HE THIRD OPTION AVAILABLE IS 'ESTORE RIGINAL OLOR'. HIS ALLOWS YOU TO RETURN TO THE ORIGINAL COLORS FOR ALL THE ELEMENTS AND PENS IN A DRAWING AFTER TRYING OUT NEW SHADES AND COLORTWO ARE FOR EN 3 EXCLUSIVELY: 1. AINBOW N EN 3 2. DJUST EN 3 N ICTURE 3. ESTORE RIGINAL OLOR N INTERESTING OPTION WITH EN 3 IS 'AINBOW N EN 3'. HEN YOU SELECT THIS WITH THE JOYSTICK, WHATEVER IS COLORED IN EN 3 IS DISP` AROUND THE SCREEN WITHOUT DRAWING BY MOVING THE CURSOR WITHOUT HOLDING DOWN THE .  SE THIS COMMAND TO CREATE THE OUTLINE OF A CIRCLE. OU SET THE CENTER POINT WHEN YOU PRESS THE . OVING THE CURSOR DETERMINES THE SIZE OF THE CIRCLE. HE FURTHER YOU MOVE FROM THE CENTER POINT, THE LARGER THE CIRCLE. RESS THE  ENU IS A GRID OF BOXES, EACH CONTAINING A ICRO LLUSTRATOR COMMAND. OU CAN SWITCH BACK AND FORTH BETWEEN THE MENU AND YOUR CANVAS BY PRESSING THE . HE FOLLOWING ARE THE COMMANDS YOU CAN USE ON YOUR CANVAS: RAWING IS FREE-HAND CRE WHOLE PICTURE. * OU CAN TAKE OUT THE LAST UPDATE TO YOUR PICTURE. HEN YOU SELECT THE FIRST OPTION, PRESS THE AND YOU IMMEDIATELY GET A BLANK (BLACK) CANVAS. HE SECOND OPTION, INSTEAD OF RETURNING YOU TO A BLANK SCREEN, GIVES YOUIC BLANK SCREEN. UT YOU CAN CHANGE THE COLORS OF THE SCREEN BACKGROUND AND BORDERS SO YOUR CANVAS CAN BE ANY COMBINATION OF COLORS. N THE JOYSTICK AND LIGHTPEN VERSIONS FOR THE -64, IF YOU DON'T WANT A BLACK SCREEN BORDER, PRESS THE * KEY. HIS CHANGE ONE QUARTER AUTOMATICALLY APPEARS IN THE OTHER THREE. IS SELECTED BY PRESSING THE , AND REMAINS ON UNTIL YOU GO BACK TO THE COMMAND BOX ON THE MAIN MENU AND PRESS THE AGAIN. IS NOT USEFUL BY ITSELF; IT IS USUALLY USEUCH AS DRAW, ARE PERFORMED ON A SCALE RELATED TO THE SCREEN SIZE. OU MIGHT FIND IT HELPFUL TO INSPECT YOUR CLOSE-UP WORK BY RETURNING TO THE REGULAR-SIZED CANVAS. O THIS BY RETURNING TO THE COMMAND MENU AND SELECTING WITH THE . CAN ALSO PRESS ON THE KEYBOARD AT ANY TIME TO MAGNIFY OR RETURN TO REGULAR VIEWING OF YOUR SCREEN ON THE -64 VERSIONS, OR PRESS TO ZOOM ON THE LUS/4 VERSION.  OU CAN REPRODUCE WHAT'S IN ONE AREA OF YOUR CANVAS INTO ANOTHER AREA WITH THIS COMMAND. OU 'FRAME' THE AREA OR OBJECT YOU WANT COPIED BY PRESSING THE IN ONE CORNER, AND AGAIN IN THE OPPOSITE CORNER TO FORM A BOX CONTAINING THE PARPOSITE EDGE OF THE SCREEN. OU CAN RECOPY A SCREEN AREA AS OFTEN AS YOU WANT. HIS COMMAND ALLOWS YOU TO SAVE A PICTURE ON DISK, LOAD A PICTURE FROM DISK OR FORMAT A NEW DISK TO USE FOR STORAGE. OLLOW THE SCREEN DIRECTIONS WHEN USING E LINE TO BEGIN AND AGAIN WHERE YOU WANT IT TO END. HE LINE STRETCHES VISIBLY IN A 'RUBBER BAND' EFFECT AS YOU MOVE YOUR JOYSTICK TO SET THE ENDPOINT. HE LINE IS PRODUCED IN THE CURRENT . (LUS/4 VERSION) HE  A SECOND TIME TO DRAW THE CIRCLE. ISC IS IDENTICAL TO THE CIRCLE COMMAND EXCEPT THAT IT PRODUCES A CIRCLE FILLED WITH THE CURRENT COLOR. HEN YOU CHOOSE THE ERASE COMMAND, YOU GET TWO OPTIONS: * OU CAN ERASE THE ATION ON THE SCREEN: WHEN YOU HOLD DOWN THE , MOVING THE CURSOR PRODUCES WHATEVER PATTERN OR SHAPE YOU FOLLOW IN THE COLOR AND BRUSHSTROKE THAT YOU SELECTED. OVE THE CURSOR BY MOVING THE JOYSTICK HANDLE OR LIGHTPEN ON THE SCREEN. OU CAN MOVE A SCREEN EXACTLY AS IT WAS BUT WITH YOUR LAST COMMAND EFFECTS REMOVED. HIS COMMAND PRODUCES MIRROR IMAGES OF WHATEVER YOU DRAW ON THE SCREEN, AS YOU DRAW. HE SCREEN IS 'DIVIDED' INTO FOUR QUARTERS WHEN YOU USE ; HATEVER YOU PUT INS THE BORDER EVERY TIME YOU PRESS IT. HE ^ KEY CHANGES THE SCREEN BACKGROUND COLORS IN THE SAME FASHION. O CHANGE THE SCREEN AND BORDER COLORS ON THE LUS/4 VERSION, USE THE COMMAND. ** ** HE TOP HALF OF THE MD TO MODIFY ANOTHER COMMAND, SUCH AS DRAW. OU CAN VIEW YOUR PICTURE CLOSE-UP WITH THE COMMAND. OU CAN ALSO USE FOR MORE PRECISE CONTROL IN DRAWING. AGNIFY IS TURNED ON AND OFF LIKE THE COMMAND. THER OPERATIONS, SO MOVE THE CURSOR AROUND THE MAGNIFIED SCREEN, WITH THE JOYSTICK VERSION, YOU ONLY NEED TO MOVE THE JOYSTICK HANDLE. ITH THE LIGHTPEN VERSION, YOU MUST MOVE TO THE EDGE OF THE SCREEN IN THE DIRECTION YOU WISH TO MOVE, THEN PRESS THE KEY. : OU EN 3, ACKGROUND, OR ORDER). ELECT YOUR COLOR AS YOU DO IN CHOOSING COLORS ON THE COLOR PALETTE, BY MOVING THE JOYSTICK TO THE COLOR BAR AND PRESSING THE . HE BOX YOU DESIGNATED CHANGES TO THAT COLOR, AND THE UMINANCE AR AUTOMATICALLY C T OF THE SCREEN TO BE COPIED. HEN MOVE TO THE AREA YOU WANT THE COPY TO BE AND PRESS THE , AND THE SHAPE IS REPRODUCED. E CAREFUL WHEN YOU COPY TOO CLOSE TO THE EDGE OF THE SCREEN, OR SOME OF YOUR COPY MIGHT END UP BEING REPRODUCED ON THE OP . OU CAN USE EITHER THE KEYBOARD OR YOUR JOYSTICK OR LIGHTPEN TO SELECT THESE OPTIONS (TO STORE OR LOAD, ETC.). ** ** (-64 VERSION) O DRAW A SINGLE LINE, PRESS THE ONCE WHERE YOU WANT TH COMMAND LETS YOU VARY THE LUMINANCE (BRIGHTNESS) LEVEL OF THE COLORS YOU CHOOSE FOR THE BACKGROUND, BORDER AND YOUR ORIGINAL DRAWING COLOR, AS WELL AS A SECOND DRAWING COLOR, 3. OSITION THE CURSOR IN THE APPROPRIATELY LABELED BLOCK (RAWING, EM TO. UST SELECT THE COLOR OF THE BACKGROUND AND BRUSH SIZE AND SPEED THAT YOU CAN MANUEVER WITH THE PRECISION YOU NEED, AND TOUCH UP THE OFFENDING AREA. F YOU WANT TO GET IT PERFECT, YOU CAN USE THE COMMAND AND MAKE SURE YOU GET THE SHA AILABLE IS "ESTORE RIGINAL OLOR". HIS ALLOWS YOU TO RETURN TO THE ORIGINAL COLORS FOR ALL THE ELEMENTS AND PENS IN A DRAWING AFTER TRYING OUT NEW SHADES AND COLORS. & OMMANDS SUCH AS AND ALLOW YOU TO DRAW MORE THAN ONE SUCH EFORE YOU DO ANYTHING WITH THE LIGHTPEN VERSION, FIRST TURN THE BRIGHTNESS AND CONTRAST ON YOUR MONITOR OR TELEVISION ALL THE WAY UP. HIS WILL MAKE THE LIGHTPEN MORE EFFECTIVE. OU WILL NOTICE A COMMAND INCLUDED IN THE E 3. ESTORE RIGINAL OLOR N INTERESTING OPTION WITH EN 3 IS "AINBOW N EN 3". HEN YOU SELECT THIS WITH THE JOYSTICK, WHATEVER IS COLORED IN EN 3 IS DISPLAYED AS A RAINBOW PATTERN THAT CONTINUALLY CYCLES THROUGH THE RANGE OF COLORS. F YOU UOUR LIGHTPEN/CURSOR RELATIONSHIP TO THE VERTICAL AND HORIZONTAL. OU CAN ALSO INCREASE OR DECREASE THE 'INERTIAL LEVEL', WHICH IS THE DEGREE OF CLOSENESS THAT THE CURSOR FOLLOWS THE LIGHTPEN'S MOVEMENTS. HE LOWER THE INERTIAL LEVEL, THE MORE PRECISELY TTHE COLOR PALETTE, BY MOVING THE JOYSTICK TO THE COLOR BAR AND PRESSING THE . HE BOX YOU DESIGNATED CHANGES TO THAT COLOR, AND THE UMINANCE AR AUTOMATICALLY CHANGES TO ALL AVAILABLE SHADES OF THE COLOR YOU CHOSE. ELECT THE EXACT SHADE YOU D$  W L ͽ  Ƞ+7 @ D `  ANY KEY TO CONTINUE EZDIR BY RWKd7`LSTORAGE. OLLOW THE SCREEN DIRECTIONS WHEN USING . OU CAN USE EITHER THE KEYBOARD OR YOUR JOYSTICK TO SELECT OPTIONS (TO STORE OR LOAD, ETC.). HE COMMAND LETS YOU VARY THE LUMINANCE (BRIGHTNESS) LEVEL OF THE COLORS YOU CTHE COLOR MENU AND FILL OVER THE SOLID-COLORED AREA. HERE THE BLACK PART OF THE PATTERN WOULD BE, THE SOLID COLOR SHOWS THROUGH. HIS EFFECT CAN BE USED TO DEPICT TEXTURE OR EVEN SIMULATE MOTION. ON'T FORGET TO USE THE AND THE N YOU CHOSE BRUSHSTROKES. HERE ARE 16 COLORS AVAILABLE TO YOU IN THE COLOR PALETTE, AS WELL AS PATTERNS MADE UP OF EACH COLOR AND BLACK. OU CAN CHOOSE TO USE A PATTERN THAT IS TRANSPARENT (, ABOVE THE THE SOLID COLOR ON THE COLOR BAR) OR NON-TRANSPAREPE YOU WANT. NOTHER INSTANCE WHERE THE COMMAND COMES IN HANDY IS FOR MORE SOPHISTICATED SHADING IN A PICTURE. AGNIFIED, THE SCREEN BECOMES DIVIDED INTO A GRID 39 BLOCKS WIDE AND 25 BLOCKS HIGH. OU HAVE CONTROL OVER 32 SECTIONS (4X8) IN EACH  ITEM ON THE SCREEN WITHOUT HAVING TO COMPLETELY REDRAW THE ITEM EVERY TIME YOU WANT TO USE IT. O EDIT YOUR PICTURES, YOU'LL FIND THAT JUDICIOUS USE OF THE COLOR PALETTE CAN SALVAGE LINES THAT OVERLAP OR CURVES THAT DON'T QUITE CURVE WHERE YOU WANT TH MAIN MENU TO SET THE BRUSHSTROKE, THE COMMAND. HIS COMMAND IS INCLUDED ONLY IN THE LIGHTPEN VERSION. OU SHOULD USE THE COMMAND BEFORE STARTING TO COORDINATE YOUR LIGHTPEN'S MOVEMENT WITH THE CURSOR. HE COMMAND LETS YOU 'FINE-TUNE' YSE EN 3 WHEN DRAWING ON THE CANVAS AND YOU CHANGE IT USING THE COLOR MENU, EVERYTHING ALREADY DRAWN ON THE CANVAS IN EN 3 CHANGES TO THE CURRENT COLOR AND SHADE WHEN YOU SELECT THE "DJUST EN 3 N ICTURE" OPTION WITH THE JOYSTICK. HE THIRD OPTION AV HE CURSOR MOVEMENT MATCHES THE LIGHTPEN. HIGH INERTIAL LEVEL TYPICALLY DRAWS ROUNDER, SMOOTHER LINES AND CURVES. HE STRIP OF COLORS AT THE BOTTOM OF THE SCREEN IS YOUR COLOR PALETTE. ELECT YOUR COLORS FROM THIS IN THE SAME FASHIOWANT IN THE SAME FASHION THAT YOU CHOSE THE COLOR. HERE ARE THREE LINES ON THE COLOR MENU SCREEN THAT YOU CAN CHOOSE WHICH AFFECT THE COLORS ON THE CANVAS. HE FIRST TWO ARE FOR EN 3 EXCLUSIVELY: 1. AINBOW N EN 3 2. DJUST EN 3 N ICTURA LUS/4 COMPUTER, THE COMMAND FROM THE MAIN MENU LETS YOU VARY THE LUMINANCE SHADES. OUR SCREEN SERVES AS YOUR CANVAS. OU BEGIN WITH A BLANK CANVAS AND ADD COLORS, DRAW, ETC. ONTO THAT BLANK SCREEN. BLANK CANVAS IS A BASHOOSE FOR THE BACKGROUND, BORDER AND YOUR ORIGINAL DRAWING COLOR, AS WELL AS A SECOND DRAWING COLOR, 3. OSITION THE CURSOR IN THE APPROPRIATELY LABELED BLOCK (RAWING, EN 3, ACKGROUND, OR ORDER). ELECT YOUR COLOR AS YOU DO IN CHOOSING COLORS ON COMMANDS FREELY. NT (, BELOW). F YOU SELECT THE TRANSPARENT PATTERN, OTHER SHAPES AND COLORS CAN BE SEEN WHERE THE BLACK PART OF THE PATTERN WOULD BE. HE BLACK PART OF THE PATTERN IS OPAQUE WHEN YOU USE THE NON-TRANSPARENT PATTERN. F YOU ARE USING THIS PROGRAM WITH BLOCK. ITH THIS CONTROL, YOU CAN MIX UP TO FOUR COLORS IN EACH OF THESE BLOCKS. HIS ALLOWS FOR VERY PRECISE SHADING AND SHAPE RESOLUTION. O MAKE A PATTERN WITH TWO COLORS, FIRST USE THE SOLID COLOR IN AN AREA. HEN SELECT A TRANSPARENT PATTERN FROM  RE ALREADY A SOLID COLOR, BUT NOT OVER A PATTERN. OUARE ABLE TO DRAW OVER A FILLED PATTERN. OU CAN MIX A SOLID COLOR AND A PATTEN BY FILLING AN AREA WITH THE SOLID COLOR FIRST, THEN FILL IN A TRANSPARENT PATTERN OVER IT. HE FRAME COMMAND CAN  GHT PATTERN OF RAYS. HE SHAPE OR DENSENESS OF THE RAYS DEPENDS ON THE DIRECTION AND SPEED AT WHICH YOU MOVE THE JOYSTICK. RESS THE TO ERASE THE STARTING POINT. HIS COMMAND FILLS IN AN AREA OF THE SCREEN WITH THE CURRENT COLOR. HE AR IT HELPFUL TO INSPECT YOUR CLOSE-UP WORK BY RETURNING TO THE REGULAR-SIZED CANVAS. O THIS BY RETURNING TO THE COMMAND MENU AND SELECTING WITH THE . O MOVE THE CURSOR AROUND THE MAGNIFIED SCREEN, YOU ONLY NEED TO MOVE THE JOYSTICK H EATE AN UNLIMITED NUMBER OF CONNECTED LINES. AYS ARE LINES RADIATING FROM A SINGLE STARTING POINT. RESS THE TO SET THE INITIAL POINT, AND THEN MOVE THE CURSOR OUT TO SET THE LENGTH (AS YOU WOULD DRAW A LINE) AND PRESS THE  PRESSING THE , AND REMAINS ON UNTIL YOU GO BACK TO THE COMMAND BOX ON THE MAIN MENU AND PRESS THE AGAIN. IS NOT USEFUL BY ITSELF; IT IS USUALLY USED TO MODIFY ANOTHER COMMAND, SUCH AS DRAW. OU CAN VIEW YOUR PICT ONCE WHERE YOU WANT THE LINE TO BEGIN AND AGAIN WHERE YOU WANT THE LINE TO END. HE LINE STRETCHES VISIBLY AS YOU MOVE THE CURSOR TO SET THE ENDPOINT. HE LINE IS PRODUCED IN THE BRUSHSTROKE AND COLOR YOU SELECTED WHEN YOU PRESS THE . RE. HEN YOU SELECT THE FIRST OPTION, PRESS THE AND YOU IMMEDIATELY GET A BLANK (BLACK) CANVAS. HE SECOND OPTION, INSTEAD OF RETURNING YOU TO A BLANK SCREEN, GIVES YOU A SCREEN EXACTLY AS IT WAS BUT WITH YOUR LAST COMMAND EFFECTS REMOVED. LECTED. OVE THE CURSOR BY MOVING THE JOYSTICK HANDLE OR LIGHTPEN ON THE SCREEN. OU CAN MOVE AROUND THE SCREEN WITHOUT DRAWING BY MOVING THE CURSOR WITHOUT HOLDING DOWN THE . OU CAN MAKE POINTS ON THE SCREEN IN THE SHAPE OF THE BRUS A CIRCLE. OU SET THE CENTER POINT WHEN YOU PRESS THE . OVING THE CURSOR DETERMINES THE SIZE OF THE CIRCLE. HE FURTHER YOU MOVE FROM THE CENTER POINT, THE LARGER THE CIRCLE. RESS THE A SECOND TIME TO DRAW THE CIRCLE. IN IN THE OPPOSITE CORNER TO FORM A BOX CONTAINING THE PART OF THE SCREEN TO BE COPIED. HEN MOVE TO THE AREA YOU WANT THE COPY TO BE AND PRESS THE , AND THE SHAPE IS REPRODUCED. E CAREFUL WHEN YOU COPY TOO CLOSE TO THE EDGE OF THE SCREEN, OR BE USED TO DRAW THE OUTLINE OF A BOX OR RECTANGLE. RESS THE TO SELECT THE STARTING POINT, AND MOVE THE CURSOR TO SET THE HEIGHT AND WIDTH OF THE BOX. HE SIDES OF THE BOX ARE VISIBLY SHAPED AS YOU MOVE THE CURSOR. RESS THE TO PREA IS DEFINED BY THE POSITION OF THE CURSOR. T COLORS IN AN AREA UNTIL IT REACHES ANOTHER COLOR. AKE SURE THE AREA IS COMPLETELY ENCLOSED TO AVOID THE FILL LEAKING INTO AREAS OF THE SCREEN THAT YOU DIDN'T INTEND TO COLOR. OU CAN FILL OVER AREAS THAT A ANDLE. : OU CAN ALSO PRESS TO ZOOM IN AT ANY TIME. OU CAN REPRODUCE WHAT'S IN ONE AREA OF YOUR CANVAS INTO ANOTHER AREA WITH THIS COMMAND. OU "FRAME" THE AREA OR OBJECT YOU WANT COPIED BY PRESSING THE IN ONE CORNER, AND AGAI AGAIN TO DRAW THE SINGLE RAY. OVE THE CURSOR TO WHERE YOU WANT ANOTHER RAY TO EXTEND FROM THE STARTING POINT AND PRESS THE . OU CAN DO THIS AS OFTEN AS YOU'D LIKE. F YOU DON'T RELEASE THE AND MOVE THE CURSOR, YOU CAN DRAW A TIURE CLOSE-UP WITH THE COMMAND. OU CAN ALSO USE FOR MORE PRECISE CONTROL IN DRAWING. AGNIFY IS TURNED ON AND OFF LIKE THE COMMAND. THER OPERATIONS, SUCH AS DRAW, ARE PERFORMED ON A SCALE RELATED TO THE SCREEN SIZE. OU MIGHT FINDF YOU DECIDE THAT YOU DON'T WANT TO COMPLETE A LINE THAT YOU'VE STARTED, JUST PRESS THE TO CANCEL THE STARTING POINT. OU CAN DRAW CONTINUOUS LINES AS WELL. HE ENDPOINT OF ONE BECOMES THE STARTING POINT OF THE NEXT LINE. OU CAN USE THIS TO CR HIS COMMAND PRODUCES MIRROR IMAGES OF WHATEVER YOU DRAW ON THE SCREEN, AS YOU DRAW. HE SCREEN IS "DIVIDED" INTO FOUR QUARTERS WHEN YOU USE ; HATEVER YOU PUT IN ONE QUARTER AUTOMATICALLY APPEARS IN THE OTHER THREE. IS SELECTED BYHSTROKE AND THE COLOR YOU SELECTED. F YOU CHOSE A BRUSHSTROKE WITH TWO OR THREE POINTS, A SINGLE POINT COMES OUT AS TWO OR THREE. UST POSITION THE CURSOR WHERE YOU WANT TO MAKE A POINT AND PRESS THE . O DRAW A LINE, PRESS THE SC IS IDENTICAL TO THE CIRCLE COMMAND EXCEPT THAT IT PRODUCES A CIRCLE FILLED WITH THE CURRENT COLOR. HEN YOU CHOOSE THE ERASE COMMAND, YOU GET TWO OPTIONS: * OU CAN ERASE THE WHOLE PICTURE. * OU CAN TAKE OUT THE LAST UPDATE TO YOUR PICTUSOME OF YOUR COPY MIGHT END UP BEING REPRODUCED ON THE OPPOSITE EDGE OF THE SCREEN. OU CAN RECOPY A SCREEN AREA AS OFTEN AS YOU WANT. HIS COMMAND ALLOWS YOU TO SAVE A PICTURE ON DISK, LOAD A PICTURE FROM DISK OR FORMAT A NEW DISK TO USE FOR ODUCE THE SHAPE, OR THE IF YOU DECIDE NOT TO. OX IS IDENTICAL TO THE FRAME COMMAND, EXCEPT THAT IT PRODUCES A INSTEAD OF AN OUTLINE. HE BOX IS FILLED WITH THE CURRENT COLOR. SE THIS COMMAND TO CREATE THE OUTLINE OF ** /4 ** LUG YOUR OYSTICK INTO ORT#1 ON THE BACK OF THE LUS/4. YPE: " ",8 AND PRESS THE <> KEY. HEN THE SCREEN SAYS , TYPE:    $$$$((((,,,,000044448888<<<<@@@@DDDDHHHHLLLLPPPPTTTTXXXX\\\\````ddddhhhhllllppppttttxxxx|||| WHERE THE BLACK PART OF THE PATTERN WOULD BE. HE BLACK PART OF THE PATTERN IS OPAQUE WHEN YOU USE THE NON-TRANSPARENT PATTERN. HE COMMAND FROM THE MAIN MENU LETS YOU VARY THE LUMINANCE SHADES. OUR SCREEN SERVES AS YOUR  0 0*J H PP(  HJBPPP** 33??@@AABBCC　 ACCELERATING CURSOR (0). HE STRIP OF COLORS AT THE BOTTOM OF THE SCREEN IS YOUR COLOR PALETTE. ELECT YOUR COLORS FROM THIS IN THE SAME FASHION YOU CHOSE BRUSHSTROKES. HERE ARE 16 COLORS AVAILABLE TO YOU IN THE COLOR PALETTE, AS WE{| 0  00 0000  0 0??}003????00???ER OR LENGTH. OUR CURSOR ASSUMES THE SHAPE YOU SELECT, AFFECTING EVERYTHING YOU CREATE ON THE SCREEN. RESS A NUMBER KEY FROM 1 TO 9 TO SELECT YOUR BRUSH SPEED (THE SPEED THAT YOU CAN MOVE YOUR JOYSTICK). HE SLOWEST SPEED (1) GIVES YOU THE MOST PRECISI000000000000000000 00000<00000 0000  00 0 0 0 DIFFERENT SIZES OR TEXTURES OF YOUR BRUSHSTROKES. O SELECT ANY OPTION, JUST POSITION THE CURSOR IN THE APPROPRIATE AREA AND PRESS THE . O MOVE FROM THE MENU TO YOUR CANVAS, PRESS THE . OU CAN CHOOSE THE S THE SCREEN AND BORDER COLORS, USE THE COMMAND. /4 : HE TOP HALF OF THE MENU IS A GRID OF BOXES, EACH CONTAINING A COMMAND. OU CAN SWITCH BACK AND FORTH BETWEEN THE MENU AND YOUR CANVAS BY PRESSING THE  AND PRESS <>. HE BOOT PROGRAM WILL PROMPT YOU TO CHOOSE EITHER THE (FOR MERICAN FORMAT) OR THE VERSION (FOR UROPEAN ). ELECT THE FORMAT THAT YOU'D LIKE TO WORK WITH. HE BOOT PROGRAM WILL AND THE APPROPRIATE PROGRAM.  CANVAS. OU BEGIN WITH A BLANK CANVAS AND ADD COLORS, DRAW, ETC. ONTO THAT BLANK SCREEN. BLANK CANVAS IS A BASIC BLANK SCREEN. UT YOU CAN CHANGE THE COLORS OF THE SCREEN BACKGROUND AND BORDERS SO YOUR CANVAS CAN BE ANY COMBINATION OF COLORS. O CHANGE !!""##``aabbcc@@AABBCC　 !!""##``aabbcc@@AABBCC　 !!""##``aabbcc LL AS PATTERNS MADE UP OF EACH COLOR AND BLACK. OU CAN CHOOSE TO USE A PATTERN THAT IS TRANSPARENT (, ABOVE THE THE SOLID COLOR ON THE COLOR BAR) OR NON-TRANSPARENT (, BELOW). F YOU SELECT THE TRANSPARENT PATTERN, OTHER SHAPES AND COLORS CAN BE SEEN3????0?? ? 00 00 00?UU0 000ON AND CONTROL. RESS 0 FOR ACCELERATING JOYSTICK SPEED, WHICH MEANS THAT AS YOU MOVE THE JOYSTICK IN A GIVEN DIRECTION, THE BRUSH PICKS UP SPEED. HEN USING THE KEYBOARD, ALL THE OTHER KEYS AND COMMANDS WORK AS IF YOU'RE USING A JOYSTICK EXCEPT FOR THE   ???00?000000000000  000003300?0000000???z0??????????????HAPE OR THICKNESS OF YOUR CURSOR "BRUSHSTROKES" BY MOVING THE CURSOR ALONG THE STRIP OF SHAPES ON THE CENTER OF YOUR SCREEN AND PRESSING THE ON THE DESIRED SHAPE. ACH OF THE 10 BOXES CONTAINS A BRUSHSTROKE OF DIFFERING SIZE, THICKNESS, NUMB. HE FOLLOWING ARE THE COMMANDS YOU CAN USE ON YOUR CANVAS: RAWING IS FREE-HAND CREATION ON THE SCREEN: WHEN YOU HOLD DOWN THE , MOVING THE CURSOR PRODUCES WHATEVER PATTERN OR SHAPE YOU FOLLOW IN THE COLOR AND BRUSHSTROKE THAT YOU SE HE MENU IS DIVIDED INTO THREE SECTIONS: , , AND SELECTIONS. 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